TONIGHT old Camperdown and I will be embarking upon a trip down memory
lane when we return once again to Marchmont House at Greenlaw, a village
near Duns, for the Berwickshire Hunt Ball, organised by Lady Palmer.
Always one of Scotland's most glamorous occasions, it was never more so
than when it was held at Marchmont in those long ago days when the
McEwen family were in residence.
Although I was just a young slip of a thing, I vividly remember the
excitement of seeing Princess Margaret for the first time, not to
mention Terence Stamp, the actor with those piercing blue eyes. We all
thought the McEwen brothers terribly good-looking then, very exciting
and modern; a glimpse of sophisticated sixties' London nightlife on the
very edge of the Lammermuir Hills.
Marchmont House was built in the mid-eighteenth century by John and
Robert Adam from designs drawn up by William, their father. The McEwen
family, of course, derived their fortune from beer, but Sir John McEwen,
first baronet of Marchmont, reaped the benefits and married a niece of
the 13th Lord Lovat.
Sir John sat as Conservative Member of Parliament for Berwick and
Haddington for 14 years, and was, for a time, Parliamentary
Under-Secretary of State for Scotland. For a year he was even Chairman
of the House of Commons 1922 Committee.
That was in an age when people stood for Parliament out of conviction,
having made money. Nowadays, according to Camperdown, ''virtually
everybody in politics is on the make''.
Of Sir John's six sons, two -- Rory and Alex -- became rather famous
as folk singers back in the 1950s. Rory was also rather artistically
gifted and painted flowers; Alex went on to become a newsagent
executive, working for their near neighbour, John Menzies.
Their older brother, Sir Robin, once stood against Sir David Steel
when he contested Roxburgh, Selkirk, and Peeblesshire for the Liberals,
and with John Sebastian, the youngest brother, did some of the
black-and-white illustrations for Ring of Bright Water -- that wonderful
book about otters in the West Highlands, written by their friend Mr
Gavin Maxwell.
Christian, Sir John's only daughter, married the second Lord Hesketh
and, last heard of, was collaborating with that nice former editor chap,
Mr Magnus Linklater, on a book about either Charles I or II, one forgets
which.
Nowadays Marchmont House has been taken over by the Sue Ryder
Foundation and is a residential home complete with matron and nursing
staff. I was wondering what on earth they would do with the patients on
the night of the ball, but I'm assured all of them will be cosily tucked
up in their beds and we will only have access to part of the house, the
main living room and that incredibly long passage which leads to the
great ballroom where the dancing will take place.
* YET another centenary celebration, this time the bicentenary of the
building of James Craig's New Town of Edinburgh. Next weekend, in
Edinburgh's Assembly Rooms in George Street, which date, I believe, from
1787, a Burns' Supper and Rout is to take place in the presence of the
Rt Hon Norman and Anne Irons, the city's Lord and Lady Provost.
The Master of Ceremonies will be Lord Cameron of Lochbroom, scion of a
distinguished Scottish legal dynasty, and prior to a traditional toast
to the Bard being delivered by the Rev Andrew McLellan, the haggis will
be piped in by Hugh Grey Cheape.
Hugh is that talented young chap who works for the Royal Museum of
Scotland and writes fascinatingly authoritative books on tartan, even if
he does insist on wearing his Scottish Gas kilt on such occasions.
Robert Burns, indeed, read many of his own poems in these very rooms
and should he be looking on he might be a trifle puzzled to see Iain
Brown of the National Library of Scotland declaiming him on such an
occasion.
Guests are invited to wear eighteenth-century costumes and there will
be demonstrations of Scottish dancing from the Edinburgh Early Dancers.
Camperdown suspects this is all part and parcel of Edinburgh's
campaign to get back at Glasgow for being appointed City of Architecture
and Design 1999.
* A DIARY date for February 2 -- Moira Shearer, who all those years
ago thrilled me into taking ballet lessons when I saw her dancing in The
Red Shoes, that film produced by Michael Powell, is to unveil a
stained-glass window for the Abbot House in Dunfermline.
I have to admit I had forgotten she was born in Dunfermline, and it
should prove a fascinating homecoming for her, especially when she sees
what the Dunfermline Heritage Trust, under the chairmanship of Margaret
Deans, has achieved.
It seems ages since I have seen Moira, or Lady Kennedy as one should
call her now since her husband, Ludovic Kennedy, the writer, was
knighted last year. They had the most wonderfully pretty house over the
Dean Bridge in Edinburgh, but I always felt they left for London in a
bit of a huff when he was not only turned down for membership of the New
Club and Muirfield, but failed to be elected rector of Edinburgh
University.
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